It is with great pleasure that I can present you with my newest art project
Dood Gewoon | Dead Simple
A unique visualization of the theme death
1 art installation
In Dood Gewoon ( Dutch play on words: Death Normal = ordinary ) I collaborate with my parents Winfried Scholz and Alida Verheij.
We have created an installation in which each artist individually explores what the theme death is to them and how they interact about it with each other through the medium sculptural art, painting and spatial design.
The installation invites you to experience our visual dialogue about death and to start your own conversation.
The exhibition runs from 19 November 2018 – 31 January 2019
Mon – Fri 10:00 – 17:00
@ VOX-POP, FREE entry
Binnengasthuisstraat 9, 1012 AZ, Amsterdam
OFFSET There is no guidebook on how to survive the agonising hurricane of pain when you find your most intimate self betrayed. Trapped between walls of pain, you try to fight your way out. How much of the pain do you need in order to survive, what time do you get to test the truth of your expectations and how much do you let yourself be told of what is right? In fight for breath, love balances us sharply on hopes blade.
Iwa Pele – a visual dance research collaboration by Kathrin Gramelsberger with Maarten Krielen and Anne Verheij
Iwa Pele is a concept from the Nigerian Yoruba religion and means balanced character. In Iwa Pele three artists go in search of this balance. Nigerian-German initiator and choreographer Kathrin Gramelsberger explores her mixed heritage. Inspired by Orisha – deities of the Yoruba people, this visual dance performance combines video art, Nigerian celebration dances and contemporary dance in a distorted way to discuss tradition and identity creating new points of view.
It is with great joy that I can announce that my newest film Undercurrent is accepted into the London Short Film Festival 2018!
The festival runs from 12th – 21st of January 2018.
Undercurrent We find ourselves uncomfortably close with a dancer on screen. Are we allowed to possess her? She is oblivious to her spectators until the momentum changes and she becomes aware that she is no longer alone. On the verge of losing possession of her body she takes control, turning her attention to the camera and the audience behind it. Encroaching on them, like a predator stalking its prey.