ONES nominee for best Experimental Short Film @ LSFF

2017 has started with a bang!:

ONES is nominated for the ICA Award Best Experimental Short Film!

Come and join us this Sunday 8 January at 6.30pm in the ICA for the screenings of all the experimental films during Leftfield & Lucious and Celluloid Traces.

Saturday the 14th the winner will be announced at the Awards Ceremony @ LSFF.

Tickets available HERE

Digital Brochure HERE 

Hope to see you this Sunday!

ONES_ls©ANNE•2015

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ONES on to 2016

Miku and I want to say many thanks to all the wonderful people that came to see ONES in October and a big thank you to Deptford X, Deli X, Abeerance and Jobcentre for having us! It was wonderful to meet you all and hear your responses. You made it a super experience!

We are very excited to tell you that we are working on our second part of the proposed triptych ONES, which will make it’s appearance around March 2016.
Not only will we keep crossing the 9 hour time difference in this project, but we also have added a new country to the mix: China!

Keep in touch by following the process on our blogs and by following us on Facebook & Twitter.

Here are some snap shots from ONES 2015 by © ANNE• 2015.

ONES_Restless©ANNE•2015 ONES_Pulse©ANNE•2015

ONES @ Deptford X festival

This October the first part of ONES will be shown @Deptford X festival!

Come and join us across borders from Japan to United Kingdom
from 1-4 October 2015
between 6-9 pm @ Deli X, London

ONES
2 women
2 countries
2 disciplines
—————-
1 installation

ONES is a collaboration between Dutch visual artist Anne Verheij and Japanese choreographer Miku Tsuchiya, in which film and dance are explored across various urban sites in London.
ONES engages the spectator through juxtaposing two films created out of the same footage, capturing the individual’s rhythm amidst the pulse of the restless city.

Concept | film | montage: Anne Verheij
Performance | montage: Miku Tsuchiya
Sound design: Jack Goodwin

ONESdeptfordX©ANNE•2015

Photo by © ANNE• 2015

ONES – week 6

From the start of this project Miku and I have said that it would be an experiment, where we would discover what happens if you give two collaborators from two different disciplines the same material, which has been created together, to edit an individual film of the exact same length, using the exact same soundtrack.

Since we are each editing at the moment from individual perspectives without communicating about the process, we are bound to have two very different films that will come together through location, sound, style and performance.

Miku is a choreographer who explores the space with her whole body, merging it in to the environment. As a visual artist, I explore the space through a camera lens and frame, putting my body outside of the environment to let my eyes make a composition of the different elements within it. Therefore, our methods of exploring the various locations will have been different and thus it will affect our editing processes.

This by far is the most fascinating and thrilling part of the project so far, because we can’t predict the exact outcome. I’m very excited to see the differences and similarities between how Miku and I see, think and explore when we are not creating together in person.

ONES
2 women
2 countries
2 disciplines
————–
1 installation

Miku_falling©ANNE•_2014

Photo by © ANNE• 2015

TEOKORUS round two

Great news!

My short TEOKORUS has made it in to round two of this years Aesthetica Short Film Festival!

TEOKORUS is a visual sound poem in which light and rhythm dance a duet on the rim of reality.

More updates on my projects and if TEOKORUS will make it to the final of ASFF will follow soon!

TEOKORUS©ANNE•2014

 

ONES – week 5 – Editing

Over the last weeks Miku and I have been in conversation with our composers Cassie Kinoshi and Jack Goodwin to come to three separate soundtracks. Both composers have very different styles and backgrounds, which makes for an intriguing input for our editing process. At the beginning of April they received our selected sounds, film stills and impressions. From there they each took the sounds to a new level where the sounds were stretched, distorted and shaped into a rhythmic soundtrack.
Since their soundscapes are simultaneously our timelines in order for Miku and I to edit our films to independently, it will be a real experiment to see how their work influences our editing process.

Miku and I are now in the process of choosing specific footage from each location to start this editing process. The aim for us is to both have the same footage to edit with, but not to communicate on how we are going to edit it before or while we are editing.

The planning was to start this process back in April, but due to serious computer malfunction we had to postpone this process to June.
We will keep you posted on this exciting project of which we are planning a showing of work in progress in the beginning of July!

ONES
2 women
2 voices
2 countries
2 disciplines
2 intuitions
2 rhythms
————
1 installation

Miku_falling©ANNE•_2014Photo by © ANNE• 2015

 

ONES – news: composers

Most exciting news!

We have started to collaborate with two amazing composers to take our recorded sounds to the next level: a soundtrack.

Composer Cassie Kinoshi (On An Empty Stomach) has agreed to make a soundtrack for our third location.

Sound designer Jack Goodwin (Teokorus) has agreed to create the soundtrack for our first location.

2 women
2 voices
2 countries
2 disciplines
2 intuitions
2 rhythms
————–
1 installation

Miku_falling©ANNE•_2014Photo by ©ANNE• 2014