The seventh edition of Te Kijk Gezet is now on display @ Koningsstraat 6, Amsterdam. A collaboration between @AVWS-artwork and myself of the ongoing conversation about letting go.
Very exciting news!!! e c h o | 19 – 20 November | my new sonic and visual installation in collaboration with composer Cassie Kinoshi will be presented at Kings Place as part of London Unwrapped CLICK HERE FOR TICKETS
“Experience echo, the new immersive film installation from long-time collaborators composer Cassie Kinoshi (Artist in residence for London Unwrapped) and visual artist Anne Verheij. The installation is a sonic and visual exploration of our connection with ourselves and each other in London.”
The fourth edition of Te Kijk Gezet is now on display @ Koningsstraat 6, Amsterdam. A collaboration between @AVWS-artwork and myself.
Tegen de Zwaartekracht [Defying Gravity] This 4th edition of Te Kijk Gezet is the latest result of the ongoing conversation about letting go, in which the artists research their family bond and age difference. Defying Gravity is a spatial design by Anne in which she provides a third of the space for each artist to use. Visual layers are created by horizontal planes that both take and create space. An exciting relation between the works reveals itself by putting them in this framed context. The three artworks play with the recognition and denial of material, composition and expectations.
Cassie Kinoshiand I are excited to announce that our new collaboration echo can be seen on 19 and 20 November at Kings Place London as part of London Unwrapped.
Experience echo, the new immersive film installation from long-time collaborators composer Cassie Kinoshi (Artist in residence for London Unwrapped) and visual artist Anne Verheij. The installation is a sonic and visual exploration of our connection with ourselves and each other in London.
Filmed entirely using handheld cameras, echo is an immersive audio-visual triptych with London as its main character. Day to day experiences of London life are manipulated through exploratory editing and camera movement, creating an encapsulating visceral experience of the ever changing cityscape.
echo’s electro-acoustic score was created with field-recordings captured around London; familiar sounds of trains, crowds, park life and traffic are altered and re-conditioned into the unfamiliar. Blended with synthesisers, a string quintet formed from members of Chineke! Ensemble were recorded to provide ethereal textures. These samples further elevate an evocative sound world that emulates the ever-changing experience of existing in the transformative city of London.
I would like to invite you to the second exhibition of Te Kijk Gezet till the end of May.
6 Koningsstraat, 1011 EV, Amsterdam. Completely CORONA-PROOF, 24/7 and free.
This year I work together with my parents, Winfried Scholz and Alida Verheij, to create changing exhibitions in the Nieuwmarkt neighborhood of Amsterdam. The artworks aim to motivate a visual communication about the theme of letting go. We work with subject matter such as changing perceptions of identity, trauma’s and connections between generations.
You can follow our year long work process online via social media under #TeKijkGezet
The second edition artworks presented till the end of May are:
Alleen in het hoofd Eenzaam in het lijf Omgeven door somberheid Dat is het gevoel als van een depressie Alles is anders, voelt anders of voelt niets Maar…..
Langzaam laat de depressie los De cirkel gedachten verdwijnen Het lichaam wordt warm Langzaam komt vertrouwen Laat alles los wat zwart is
I would like to invite you to the exhibition Te Kijk Gezet.
Window nr.6 and nr. 7-B Koningsstraat, Amsterdam. Completely CORONA-PROOF, 24/7 and free.
The coming year I work together with my parents, Winfried Scholz and Alida Verheij, to create changing exhibitions over the coming year 2021. The artworks try to establish a visual communication about the theme letting go. We work with subject matter such as changing perceptions of identity, trauma’s and connections between generations.
You can follow our year long work process online via social media under #tekijkgezet
The first works presented till the end of March are:
It is with great pleasure that I can present you with my newest art project
Dood Gewoon | Dead Simple
A unique visualization of the theme death
3 artists
2 generations
1 art installation
In Dood Gewoon ( Dutch play on words: Death Normal = ordinary ) I collaborate with my parents Winfried Scholz and Alida Verheij.
We have created an installation in which each artist individually explores what the theme death is to them and how they interact about it with each other through the medium sculptural art, painting and spatial design.
The installation invites you to experience our visual dialogue about death and to start your own conversation.
The exhibition runs from 19 November 2018 – 31 January 2019
Mon – Fri 10:00 – 17:00
@ VOX-POP, FREE entry
Binnengasthuisstraat 9, 1012 AZ, Amsterdam
Iwa Pele – a visual dance research collaboration by Kathrin Gramelsberger with Maarten Krielen and Anne Verheij
Iwa Pele is a concept from the Nigerian Yoruba religion and means balanced character. In Iwa Pele three artists go in search of this balance. Nigerian-German initiator and choreographer Kathrin Gramelsberger explores her mixed heritage. Inspired by Orisha – deities of the Yoruba people, this visual dance performance combines video art, Nigerian celebration dances and contemporary dance in a distorted way to discuss tradition and identity creating new points of view.
More news and developments from us on our ONES collaboration soon straight from Japan @AnnePointNL !
ONES COUNTERPOINT depicts the inner voice of a haunted woman by crawling under her moving skin. The interior and exterior are brought together by the three elements of water, wind and earth. As the lines between movement and manipulation blur, the woman’s calm facade cracks, revealing something dark and mysterious that makes its way to the surface.
In ONES COUNTERPOINT Anne Verheij (NL) and Miku Tsuchiya (Japan) cross the vast distance between the UK and Japan via internet to make their second diptych (the first being nominated at LSFF 2017 for Best Experimental Short Film). Their two individually created contemporary dance films, made from the same footage, are juxtaposed on a single screen where the soundtrack, especially created out of the field recordings they made in the UK and Japan, bring them together.
Yesterday Harriet Latham and I dived back into the physical part of our summer collaboration.
Over the past couple of months we have been filming, watching and talking about our collaboration and now we are back to filming.
One of the key points in this research is the trust that we have in each other and each others work approach. The space this creates for our individual and dual growth is fascinating and encouraging. It takes our work process to the next level where we have the freedom to try new things.