100% for Wij Zijn De Tijden

We’ve made it! Thanks to the incredible support of 67 backers, we’ve reached our crowdfunding goal! We’re so thrilled with the support we’ve received; you truly made this project possible!

Now we can move on to the next steps! The production phase from all four of us, where we’ll develop our designs on paper to tangible materials, which will then be developed into sculptures and installations. We’ll keep you updated on our progress via social media @avws.artworks @annepoint @jeffreychoy.art and updates via voordekunst website.

Your support has set the project in motion, and the enthusiasm of your responses has given us the energy to persevere. This campaign beautifully reflects the core of our project: a call to connection and action. Inspired by the words, “…be a beacon of courage and hope,” we believe that art has the power to connect us and open hearts. We look forward to keep building on this together.

We’re excited to welcome you to the exhibition opening in November 2025, together in our time.

With a full heart and good cheer, Alida, Winfried, Anne and Jeffrey

Curious about the process? Visit Koningsstraat 6, Amsterdam for our working process. ⬇️

Crowdfunding for “Wij zijn de Tijden” in June

Feeling the urgency of our times? ⏳ This is “Wij Zijn De Tijden (We Are The Times),” our intergenerational art project about hope, connection and action.
Alida, Winfried, Anne & Jeffrey, are bringing our voices together. But to make this unique exhibition a reality, we need YOUR support.

Help us build this beacon of courage and hope.
Donate now via THIS LINK

Inspired by the words of Augustine (3rd-4th century) “Don’t complain about the emperor or the times… But say: we are the times. Be a beacon of courage and hope yourself,” we believe that art has the power to reach each other and open hearts. This project is born from a deep desire to create a space where everyone feels empowered to be authentic, and where we can grow together in connection. How can we, together, build such a world?

Through works such as Alida’s “Mirror of the Soul,” Winfried’s “The Face of Power,” Anne’s “Free Fall,” and Jeffrey’s “The Garden of Transience,” we invite you to investigate and, above all, feel the complexity of life – from power and the environment to consumerism and personal responsibility. We want to bring about a primary awareness, art that directly touches life.

More about the artists can be found here
Alida Verheij @avws.artworks
Winfried Scholz @avws.artworks – website www.worksbywinfried.nl
Anne Verheij @annepoint – website www.annepoint.com
Jeffrey Choy @jeffreychoy.art – website www.jeffreychoy.art

#TeKijkGezet – 15th edition spring 2025

𝘄𝗼𝗺𝗮𝗻 © 𝗔𝗡𝗡𝗘• 𝟮𝟬𝟮𝟱

𝙩𝙝𝙚 𝙛𝙤𝙧𝙗𝙞𝙙𝙙𝙚𝙣
𝙩𝙝𝙚 𝙙𝙖𝙣𝙜𝙚𝙧
𝙩𝙝𝙚 𝙥𝙤𝙬𝙚𝙧
𝙩𝙝𝙚 𝙡𝙤𝙫𝙚

𝙝𝙖𝙫𝙚 𝙩𝙤 𝙗𝙚 𝙚𝙫𝙚𝙧𝙮𝙩𝙝𝙞𝙣𝙜 𝙖𝙣𝙙 𝙚𝙫𝙚𝙧𝙮𝙤𝙣𝙚
𝙖𝙧𝙚 𝙣𝙤𝙩 𝙖𝙡𝙡𝙤𝙬𝙚𝙙 𝙩𝙤 𝙗𝙚

120 x 140cm, acrylic paint, paper, styrofoam and aluminium

@ Koningsstraat 6, Amsterdam

This work came into being by exploring pathways into letting go of generational trauma.
in collaboration with AVWS-artworks

𝘄𝗼𝗺𝗮𝗻 © 𝗔𝗡𝗡𝗘• 𝟮𝟬𝟮𝟱
𝘄𝗼𝗺𝗮𝗻 © 𝗔𝗡𝗡𝗘• 𝟮𝟬𝟮𝟱

In conversation with Liz Atkin

Last Friday I met with the inspiring artist Liz Atkin, to have a talk about her practice, my final showcase and making artistic choices.

At the beginning of my current master study Creative Practice Liz gave a workshop during the module Performance Making in which she made us come out of our heads and into our bodies by using the technique collage.

I had planned to take you all even a step further during the workshop, by letting you have a three dimensional response to your initial paper collage.’
However, time flew by while we were working and before we knew it it was time to pack-up, but the process did not stop there for me. At arriving home I immediately started to make three other collages over the next week and I even used it in choosing material for my collaboration on PERFORMANCE with Libby Wade. This rediscovering of the collage technique opened my eyes.

Throughout my creative practice, and even as a kid, I have used the collage technique to create in-depth work. The technique allows you to access your intuition and create a state of flow in which you create without right or wrong whilst emerging yourself completely in the doing.

During our conversation Liz gave some great insight on work processes and made me have a real brain fart when I discovered that I have been using collage in not only the editing phase of  my final showcase, but also during the filming and designing, yes even running and writing phase of my final project. This discovery will definitely become a thread through my thesis writing.

She encouraged me, much like my tutor Tom Paine, to call myself an artist first and let the medium I use to create my work be no more defining than a means or tool to present the ideas I have.

Check out Liz Atkin‘s artwork and have a listen to her latest interview with the BBC at 35:14min.

collageLizAtkin© ANNE• 2014

Photo & work by © ANNE• 2013

NYMPH()MANIAC: Volumes I and II – Lars von Trier

NymphomaniacNymph()maniac: a must see!

I was in luck to score the last ticket to this film double bill on Saturday 22 February in London, which ended with a live satellite Q&A with Stellan Skarsgård, Stacy Martin and Sophie Kennedy Clark.

This movie is an open conversation. A book with a simple story line and many chapters that invite you to enter the world of Joe. Documentary and fiction style grip you in their frames, frames that switch from 16:9 to 4:3 and more. It also contains collage, still image and multi staging, making it into a minefield for the senses, since you find yourself completely opened up by the inviting rhythm and speed of the movie.
Addressed in this movie are art, femininity, humor, society, lust, masculinity, jealousy, music, love, asexuality, stigma’s, fishing and choices.

No, it is not a porn movie. No, it is not a feminist movie.
Yes, it is a intriguing story, told with a great sense of humor and detail.

Go and see this one of a kind!